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BALLET OF TEATRO ALLA SCALA
Milan, Italy
April 4th 2008. Sava center 20h
Mediteranea
music: W.A.Mozart, G.Ligeti, P.da Palestrina, G.Paniagua, M.Marais, A.Brahem, J.Cabanilles, traditional music
music arrangement: Paride Bonetta & Mauro Bigonzetti
choreography: Mauro Bigonzetti
sets and costumes: Roberto Tirelli
light design: Carlo Cerri
production: Teatro alla Scala
etoile: Massimo Murru
premiere: 2008., Teatro degli Arcimboldi, Milano
duration: 75'
The Mediterranean Sea.
A remarkable balance between lyricism and pure energy.
A constant melting pot of different cultures.
The populations that in turn come into the world, meet and confront... >>>
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INBAL PINTO DANCE COMPANY
Tel Aviv, Izrael
06.04.2008. Belgrade Drama Theatre, 20h
Shaker
music: F.Chopin, G.Bryars, A.Part, Swedish folk music, songs from the fifties...
choreography,sets,costumes,make-up: Inbal Pinto & Avshalom Pollak
costumes design assistant: Ditza Avidan
light design: Uri Morag
ballet master: Efrat Mazor Goldberg
tour organisation: Ronnit Rabinowitz
premiere: Tel Aviv, 2006
duration: 60'
dancing: Noga Harmelin, Shi Pratt, Dana Shoval, Naomi Nissim, Ivica Bago, Elad Livnat, Yigal Furman, Michal Almogi, Zvi Fishzon, Talia Beck, Shir Medvetzki
The snow filled glass globes...Inside, there are tiny figures, miniature houses and maquettes...
The magical world looks like quiet and still, at the beginning. It is never filled only with happiness....
Once the globe is shaken, the snowflakes will fly everywhere like humor and darkness, joy and pain, pleasant dreams and nightmares...like little moments from the past, each one a story by itself...
Warning: Watching shaker might have a hypnotic effect.
The world inside has alluring beauty and it could be anywhere, or nowhere.
The imaginary journey could be real and rude in emotional terms...>>>
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HENRI OGUIKE DANCE COMPANY
London, UK
08.04.2008. Belgrade Drama Theatre, 20h
Little Red
music: Antonio Vivaldi
choreography: Henri Oguike
costume: Asalia Khadjé
light design: Guy Hoare
duration: 22'
premiere: 2007, Laban Centre, London
Expression Lines
music: Ali Farka Toure
choreography: Henri Oguike
costume: Asalia Khadjé
light design: Guy Hoare
duration: 10'
premiere: 2006, Wyvern Theatre, Swindon
Tiger Dancing
music: Steve Martland
choreography: Henri Oguike
costume: Elizabeth Baker
light design: Guy Hoare
duration: 16'
premiere: 2005, St Edmundsbury Cathedral, Bury St Edmunds
Front line
played live by the Court Lane Ensemble
music: Dmitri Shostakovitch
choreography: Henri Oguike
costume: Elizabeth Baker
light design: Guy Hoare
duration: 20'
premiere: 2002, British Dance Edition, Birmingham
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ALIAS
Geneva, Switzerland
10.04.2008. Belgrade Drama Theatre, 20h
Approaching the Dust
choreography: Guilherme Botelho in collaboration with the dancers
musical research: Guilherme Botelho
costumes: Karine Vintache
sets: Gilles Lambert
light design: Pascal Burgat
photo: G. Leao de Carvalho
duration: 75'
premiere: 2007, Theatre Forum Meyrin, Geneva
dancers: Fabio Bergamaschi, Sung Im Her, Sang Mi Park, Guillaume Marie, Christos Strinopoulos
Just a slice of everyday life. No surprises.
A humdrum story on a humdrum day.
The kind of day when nothing happens.
From the moment you get up, until the time you go to bed.
At home, at work, in the street, at the doctors, meeting people...waiting around...boredom...
And than suddenly - the light.
Too much can make you blind, while a single ray exposes tiny particles hanging in the air.
Is there any point in focusing light on a piece of furniture, just to approach the dust behind it? >>>
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SHEN WEI DANCE ARTS
Njujork, SAD
12.04.2008. Opera Madlenianum 20h
The Rite of Spring
music: Igor Stravinsky
choreography, design, sets, costumes, make-up: Shen Wei
piano: Fazil Say
light design: David Ferri
premiere: 2003, Lincoln Center, New York
duration: 40'
The constant development of movement qualities trough its investigation and construction.
A balance between movement exactitude and movement intuition.
A unique conversation that movement, music and visual images, creates....>>>
Folding
music: John Tavener, Tibetan Buddhist Chant
choreography, design, sets, costumes, make-up: Shen Wei
light design: David Ferri
premiere: 2000, Guangdong Modern Dance Company, China
duration: 40'
A vivid and surrealistic universe, out of time and space.... >>>
dancers: Reid Bartleme, Brooke Broussard, Lindsay Clark, Andrew Cowan, Dai Jian, Duan Ni, Jessica Harris, James Healey, Kathleen Jewett, Alexa Kershner, Oceane McCord, Shen Wei, Sara Procopio, Kanako Sato, Joan Wadopian
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CLUB GUY & RONI
Groningen, The Netherlands
13.04.2008. Belgrade Drama Theatre, 20h
Poetic Disasters
music: Heiner Goebbels
music arrangement: Frits Selie (Prime)
concept, choreography: Roni Haver & Guy Weizman
dramaturgy: Veerle van Overloop
set design: Ascon de Nijs
iprops production: Douwe Ket & Alicia Ziff
film, graphic design: Peter de Kan
light design: Wil Frikken
photography: Wim Te Brake
production: Grand Theatre Groningen, Club Guy & Roni, Prime
premiere: 2008, Mounsonturm, Frankfurt, Germany
duration: 70'
dancers: Roni Haver, Dunja Jociæ, Eva Puschendorf, Yvonne Weschke, Jorge Morro, Igor Podsiadly, Peter Cseri
The theory of Chaos.
A play with a constant destruction and new creation of ideas and forms.
The human need and difficulty to recover from a Disaster.
The train of thought focused on hidden paths, on nuances, on the specific sensitivity of things.
The rules that lead from unpredictable to new.... >>>
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SPELLBOUNDANCE COMPANY
Rim, Italija
15.04.2008. Belgrade Drama Theatre, 20h
Nafas / Mauro Astolfi
music: G.Rossini, J.S.Bach, L.V.Beethoven
choreography, sets, costumes: Mauro Astolfi
light design: Valentina Marini, Mauro Astolfi
premiere: 2007, Teatro Comunale, Benevento
duration: 40'
IIn India, "nafas" means breathing, while in some Arab countries the same word is associated with the meaning of freedom or describes the dynamic strength inhaled at birth. The dancer's breathing is, at the same time an intense pleasure and desperation because of the hard physical effort. ... >>>
Emotional Balance
music: Max Richter, Scanner, Alexandre Tharaud
choreography, costumes: Mauro Astolfi
light design: Marco Policastro
premiere: 2007, Teatro Camploy , Verona
duration: 22'
Emotional Balance....try to find it... >>>
dancers: Alessandra Chirulli, Marco Porcelli, Maria Cossu, Gianmaria Giuliattini, Marianna Ombrosi, Silvia Rizzo, Sofia Barbiero, Francesco Gammino, Camilla Brezzi.
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NATIONAL BALLET
Maribor, Slovenia
17.04.2008. Sava center, 20h
Pret-a-Porter
music: Milko Lazar
choreography: Edward Clug
sets: : Marko Japelj
costumes: Leo Kula¹
light design: Andrej Hajdinjak
dancers: Kri¾man, Evgenija Ko¹kina, Branka Popovici, Ines Petek, Catarina Meneses, Matja¾ Marin, Tiberiu Marta, Gaj ®mavc, Denes Darab, Demetrius King
piano: Bojan Gori¹ek & Milko Lazar
duration: 70 min.
premiere: 2008, Belgrade Dance Festival
2 dimensions simultaneously.
both important and extremely individual.
meeting on the common path,
supportive and competative to one another
dance and music doesnt make a dialogue, but challenge each other,
while composing an outstanding artistic creation... >>>
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NATIONAL BALLET OF MARSEILLE
Marseille, France
19.04.2008. Sava center, 20h
Metapolis II
concept : Frédéric Flamand & Zaha Hadid
choreography: Frédéric Flamand and the dancers
sets and costumes design: Zaha Hadid
assistant to choreographer: Yasuyuki Endo
light design: Frédéric Flamand & Nicolas Olivier
music arrangement: Jacques-Yves Le Docte
video: Jean-Christophe Aubert
camera: Pino Piptone
production: Ballet National de Marseille, Festival de Marseille, Charleroi/Danses-Centre Chorégraphique de la Communauté française de Belgique, Brussel 2000-European Capital of Culture, La Maison des Arts de Créteil, l'Arsenal de Metz, Het Muziektheater Amsterdam, Festival Oriente Occidente
cast: Ballet National de Marseille (20 dancers)
premiere: 2006, Festival de Marseille
duration: 75'
An utopian city, structured by a play of opposites: fluidity and rupture, private and public, moving an unmoving, individual and crowd, order and chaos... Since the industrial civilization has given way to computer civilization, the Matapolis has become our only world, a labirinth of signs and situations. Still, the global perception of the post-modern city is based on pictures from our fantasy, but the loss of individual bearings has led to an affected and interior approach to urban reality. The concept of presenting one person or group of people within a system of the city, could be considered as an technical image decorated with human bodies in action or motion.... >>>
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